Punch - Compact Disc
The long-awaited big band album from Charming Hostess. Blends eerie harmonies, complex rhythms, with a playfulness about gender. The final effect is of a hoedown where bodacious babes belt the blues in Bulgarian while a punk-klezmer band rocks out in accompaniment. The genre of ChoHo on this CD is KLEZMER-PUNK/BALKAN-FUNK.
Latest release from "Big Band Charming Hostess". The rock band that blended eerie harmonies, complex rhythms, and a playfulness about gender. Charming Hostess drew on women's vocal traditions (primarily from Eastern Europe and North Africa), and integrated them with American folk forms both white and black. The final effect was of a hoedown where bodacious babes belted the blues in Bugarian while a punk-klezmer band rocked out in accompaniment.
The long-awaited big band album from Charming Hostess. Blends eerie harmonies, complex rhythms, with a playfulness about gender. The final effect is of a hoedown where bodacious babes belt the blues in Bulgarian while a punk-klezmer band rocks out in accompaniment. The genre of ChoHo on this CD is KLEZMER-PUNK/BALKAN-FUNK.
Latest release from "Big Band Charming Hostess". The rock band that blended eerie harmonies, complex rhythms, and a playfulness about gender. Charming Hostess drew on women's vocal traditions (primarily from Eastern Europe and North Africa), and integrated them with American folk forms both white and black. The final effect was of a hoedown where bodacious babes belted the blues in Bugarian while a punk-klezmer band rocked out in accompaniment.
The long-awaited big band album from Charming Hostess. Blends eerie harmonies, complex rhythms, with a playfulness about gender. The final effect is of a hoedown where bodacious babes belt the blues in Bulgarian while a punk-klezmer band rocks out in accompaniment. The genre of ChoHo on this CD is KLEZMER-PUNK/BALKAN-FUNK.
Latest release from "Big Band Charming Hostess". The rock band that blended eerie harmonies, complex rhythms, and a playfulness about gender. Charming Hostess drew on women's vocal traditions (primarily from Eastern Europe and North Africa), and integrated them with American folk forms both white and black. The final effect was of a hoedown where bodacious babes belted the blues in Bugarian while a punk-klezmer band rocked out in accompaniment.